Born in 1976 in Paris
Lives and works in London
Associate Lecturer at Camberwell College of Art, UAL
Lecturer for The National Gallery, The Wallace Collection, Christie’s Education and The Arts Society
Education:
MA in History of Art (Distinction), Courtauld Institute, London, (2006-2007)
Honorary Research Assistant, Slade School of Fine Art, UCL, (2001-2003)
MA in Fine Art Media, Slade School of Fine Art, UCL, (1999-2001)
BFA Hons in Fine Art, Ruskin School, Oxford University, (1995-1998)
Solo Shows:
2024 ‘Borrowed Landscapes’, Meakin Parsons x Hannah Payne, Cromwell Place, London
2023 ‘Into the Woods’, Meakin Parsons x Hannah Payne, Oxford
‘Re-Circling the Square’, The Place Downstairs, London
2021 ‘A Thousand Fallen Blossoms’, Argentea Gallery, Birmingham
2011 ‘Wilful Damage’, Galerie Raum Mit Licht, Vienna
2007 ‘Black Out / White Out’, Fruela Gallery, Madrid
2006 ‘Dessine moi un arbre…’, Jerwood Space, London
2005 ‘White Outs and Sugar Skies’, Slade Gallery, London
2004 ‘Definitives’, Galerie Magda Danysz, Paris
2002 ‘Landscapes’, Galerie Magda Danysz, Paris
Two Person Exhibitions:
2024 ‘Alice Wilson & Aliki Braine’, DOMOBAAL, London Art Fair
2019 ‘Die Blinde Fläche; Aliki Braine & Josef Zekoff’, Galerie Raum mit Licht, Vienna
2018 ‘Veronica Bailey & Aliki Braine: Cross-Reference’, dalla Rosa Gallery, London
Selected Group Exhibitions:
2023 ‘Countryside – Landscape – Environment’, Centre for British Photography, London
2022 ‘No Place is an Island’, Photo50, The London Art Fair, London
2017 ‘Les Evidences du Réel’, Musée d’Art de Pully, Switzerland
‘Surface Matters’, Dye House 451, London
2015 ‘Material Light’, Kulturni Centar, Belgrade, Serbia
2013 ‘Material Light’, University of Westminster, London
‘On The (Im)posibility of a Pure Praise Poem’, Man & Eve Gallery, London
‘The Romance of Dereliction’, OVADA Emerging Curators, Oxford
‘Behind the Non-Colours’, Galerie Voss, Düsseldorf, Germany
2012 Salon Art Prize 2012, Matt Roberts Arts, London
‘Prozesse’, Galerie Raum mit Licht, Vienna. Austria
‘Paris Forever’, Galerie Magda Danysz, Paris
‘Photo50; The New Alchemists’, London Art Fair, London
2011 ‘Altered Landscapes’, The Front Room Gallery, London
2010 ‘Hands On’, Galerie Raum mit Licht , Vienna, Austria
‘The Floor To Ceiling Show’, 96 Farringdon Road, London
2009 ‘Breaking New’, Five Hundred Dollars, 12 Vyner Street, London
‘Ligne à Ligne’, Centre culturel français de Jakarta, Indonesia
‘Borderlands’, Collyer Bristow Gallery, London
2008 ‘La main qui dessinait toute seule’, Galerie Magda Danysz, Paris
‘Au pays des merveilles’, Galerie 5, Angers, France
2007 ARTE LISBOA, Lisbon, Portugal
‘Alma Mater’, Alma Enterprises, London
2006 ‘Blurred Certainty’, Jerwood Space, London
‘The Living’s Easy’, Flowers East, London
2003 ‘Je n’ai pas pu résister à être là’, Centre d’Art en l’Ile, Geneva
2002 ‘Dramatic Events’, The George Rodger Gallery, Kent Institute of Art and Design, Kent
2001 ‘Pluriel-s’, Galerie Magda Danysz, Paris
1998 ‘Made in London’, Museum of Electricity, Expo1998, Lisbon
‘L’Alchimie du Portrait’, Musée de la Monnaie, Paris
Awards and Residencies:
Summer Residency, Ken Artspace, London, 2024
Photography Winner, Salon Art Prize, Matt Roberts Arts, 2012
Nominee, Max Mara Art Prize, 2007
West Dean Residency, West Sussex, June 2006
Collections:
The Cleveland Clinic, Cleveland, Ohio
Hospes Hotel, Madrid, Spain
Penguin Books, London
Simmons & Simmons, London
Books:
Charlotte Gould and Sophie Mesplède (ed), British Art and the Environment, Routledge, 2022
Robert Shore, Beg, Steal and Borrow; Artists Against Originality, Elephant Books, 2017
Pauline Martin, L’Évidence, le vide, la vie; La photographie face à ses lacunes, Ithaque Editions, 2017
Brady Wilks, Alternative Photographic Processes: Crafting Handmade Images, 2015
Robert Shore, Post-Photography: The Artist With a Camera, Laurence King, 2014
Selected Articles:
Photomonitor, Essay, July 2022
Photomonitor, Portfolio, May 2020
Exit Magazine, #76, November 2019
Elephant, Issue 32, Winter 2018/19
We are DADÁ, October 2013
BLOW, New Pictorialism, Issue 8
Post-Photography: The Unknown Image, Elephant 13, January 2013
Photoworks, Issue 18, Spring/Summer May-October 2012
Financial Times, 20 January 2012
Camera Austria International, No.110, June 2010
UNTITLED 4, The Art Book, Curated by Anna Wolf, 2009
ROJO®magazine, October 2009
HotShoe, October/November 2006
Lives and works in London
Associate Lecturer at Camberwell College of Art, UAL
Lecturer for The National Gallery, The Wallace Collection, Christie’s Education and The Arts Society
Education:
MA in History of Art (Distinction), Courtauld Institute, London, (2006-2007)
Honorary Research Assistant, Slade School of Fine Art, UCL, (2001-2003)
MA in Fine Art Media, Slade School of Fine Art, UCL, (1999-2001)
BFA Hons in Fine Art, Ruskin School, Oxford University, (1995-1998)
Solo Shows:
2024 ‘Borrowed Landscapes’, Meakin Parsons x Hannah Payne, Cromwell Place, London
2023 ‘Into the Woods’, Meakin Parsons x Hannah Payne, Oxford
‘Re-Circling the Square’, The Place Downstairs, London
2021 ‘A Thousand Fallen Blossoms’, Argentea Gallery, Birmingham
2011 ‘Wilful Damage’, Galerie Raum Mit Licht, Vienna
2007 ‘Black Out / White Out’, Fruela Gallery, Madrid
2006 ‘Dessine moi un arbre…’, Jerwood Space, London
2005 ‘White Outs and Sugar Skies’, Slade Gallery, London
2004 ‘Definitives’, Galerie Magda Danysz, Paris
2002 ‘Landscapes’, Galerie Magda Danysz, Paris
Two Person Exhibitions:
2024 ‘Alice Wilson & Aliki Braine’, DOMOBAAL, London Art Fair
2019 ‘Die Blinde Fläche; Aliki Braine & Josef Zekoff’, Galerie Raum mit Licht, Vienna
2018 ‘Veronica Bailey & Aliki Braine: Cross-Reference’, dalla Rosa Gallery, London
Selected Group Exhibitions:
2023 ‘Countryside – Landscape – Environment’, Centre for British Photography, London
2022 ‘No Place is an Island’, Photo50, The London Art Fair, London
2017 ‘Les Evidences du Réel’, Musée d’Art de Pully, Switzerland
‘Surface Matters’, Dye House 451, London
2015 ‘Material Light’, Kulturni Centar, Belgrade, Serbia
2013 ‘Material Light’, University of Westminster, London
‘On The (Im)posibility of a Pure Praise Poem’, Man & Eve Gallery, London
‘The Romance of Dereliction’, OVADA Emerging Curators, Oxford
‘Behind the Non-Colours’, Galerie Voss, Düsseldorf, Germany
2012 Salon Art Prize 2012, Matt Roberts Arts, London
‘Prozesse’, Galerie Raum mit Licht, Vienna. Austria
‘Paris Forever’, Galerie Magda Danysz, Paris
‘Photo50; The New Alchemists’, London Art Fair, London
2011 ‘Altered Landscapes’, The Front Room Gallery, London
2010 ‘Hands On’, Galerie Raum mit Licht , Vienna, Austria
‘The Floor To Ceiling Show’, 96 Farringdon Road, London
2009 ‘Breaking New’, Five Hundred Dollars, 12 Vyner Street, London
‘Ligne à Ligne’, Centre culturel français de Jakarta, Indonesia
‘Borderlands’, Collyer Bristow Gallery, London
2008 ‘La main qui dessinait toute seule’, Galerie Magda Danysz, Paris
‘Au pays des merveilles’, Galerie 5, Angers, France
2007 ARTE LISBOA, Lisbon, Portugal
‘Alma Mater’, Alma Enterprises, London
2006 ‘Blurred Certainty’, Jerwood Space, London
‘The Living’s Easy’, Flowers East, London
2003 ‘Je n’ai pas pu résister à être là’, Centre d’Art en l’Ile, Geneva
2002 ‘Dramatic Events’, The George Rodger Gallery, Kent Institute of Art and Design, Kent
2001 ‘Pluriel-s’, Galerie Magda Danysz, Paris
1998 ‘Made in London’, Museum of Electricity, Expo1998, Lisbon
‘L’Alchimie du Portrait’, Musée de la Monnaie, Paris
Awards and Residencies:
Summer Residency, Ken Artspace, London, 2024
Photography Winner, Salon Art Prize, Matt Roberts Arts, 2012
Nominee, Max Mara Art Prize, 2007
West Dean Residency, West Sussex, June 2006
Collections:
The Cleveland Clinic, Cleveland, Ohio
Hospes Hotel, Madrid, Spain
Penguin Books, London
Simmons & Simmons, London
Books:
Charlotte Gould and Sophie Mesplède (ed), British Art and the Environment, Routledge, 2022
Robert Shore, Beg, Steal and Borrow; Artists Against Originality, Elephant Books, 2017
Pauline Martin, L’Évidence, le vide, la vie; La photographie face à ses lacunes, Ithaque Editions, 2017
Brady Wilks, Alternative Photographic Processes: Crafting Handmade Images, 2015
Robert Shore, Post-Photography: The Artist With a Camera, Laurence King, 2014
Selected Articles:
Photomonitor, Essay, July 2022
Photomonitor, Portfolio, May 2020
Exit Magazine, #76, November 2019
Elephant, Issue 32, Winter 2018/19
We are DADÁ, October 2013
BLOW, New Pictorialism, Issue 8
Post-Photography: The Unknown Image, Elephant 13, January 2013
Photoworks, Issue 18, Spring/Summer May-October 2012
Financial Times, 20 January 2012
Camera Austria International, No.110, June 2010
UNTITLED 4, The Art Book, Curated by Anna Wolf, 2009
ROJO®magazine, October 2009
HotShoe, October/November 2006